A Japanese thread connects the features in February’s Blueprint. For the cover story, the Anglo-Japanese team of Edmund and Yuki Sumner meet historian/ teacher-turned-architect Terunobu Fujimori, whose ‘fondness for the incidental’ produces light-hearted and rebellious designs as a counterpoint to the clean-line stereotype of Modern Japanese Architecture. Meanwhile in London…Tomoko Azumi - the interior architect designing the entire furniture consignment for the Supreme Court in Parliament Square - talks to Caroline Roux about the trials of making a design career abroad, of learning the British way, and the perspective she has gained on the Japanese way. |
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Communication Arts

A Japanese thread connects the features in February’s Blueprint. For the cover story, the Anglo-Japanese team of Edmund and Yuki Sumner meet historian/ teacher-turned-architect Terunobu Fujimori, whose ‘fondness for the incidental’ produces light-hearted and rebellious designs as a counterpoint to the clean-line stereotype of Modern Japanese Architecture. Meanwhile in London…Tomoko Azumi - the interior architect designing the entire furniture consignment for the Supreme Court in Parliament Square - talks to Caroline Roux about the trials of making a design career abroad, of learning the British way, and the perspective she has gained on the Japanese way.

